The V. J. Kurzweg

V. J. Kurzweg.
Image from C. S. Boyles, “Last of the Packets,” Holland’s Magazine, 1936.

For one hundred and thirty years, steamboats navigated the Mississippi River and Louisiana’s bayous, providing reliable transportation of cargo and passengers. Despite their size, these riverboats were able to maneuver quickly, making the steamboat ideal for Louisiana’s snakelike bayous. 

One Plaquemine company that utilized steamboat transportation was Consolidated Companies Inc.

The Iberville Wholesale building located on the banks of Bayou Plaquemine in Turnerville.
Image from Round the Bend to Another 50 Years, 1951.

It began as a retail grocery store, located on the corner of Railroad Avenue and Plaquemine St., but developed into a wholesale food distributor under the guidance of Victor J. Kurzweg. In 1925, Kurzweg ordered the construction of a new riverboat that became the first of its kind. The V. J. Kurzweg was a steel hull river packet built by the Canulette Shipbuilding Co. in Slidell, LA, but what set this boat apart from others was its diesel engine. Its oil-burning engine was the pride of the crew, replacing the wood-burning and coal-burning steam engines of the past.

Coal Oil Pump from the V. J. Kurzweg.
Image from Iberville Museum’s Permanent Collection, IM.2000.001.02.

The V. J. Kurzweg was 155 feet long, 32 feet wide, and drew 5.7 feet of water. It was operated by a stern paddlewheel, similar to the steamboats, which allowed for deftly maneuvering. At all its stops, onlookers referred to the Kurzweg as “a cow without its horns” because it lacked the smokestacks of a steamboat. 

The boat made several summer trips to St. Louis, Missouri and traveled weekly from New Orleans to New Iberia. The voyage typically began in New Orleans, traveling up the Mississippi and stopping at the Consolidated Company Inc. branches in Lutcher and Donaldsonville before arriving in Plaquemine. Once the boat arrived in Plaquemine, the crew would scramble to find beer and cigarettes, while passing through the locks. It would then travel down Bayou Plaquemine into Grand River. From Grand River, the boat connected with Bell River, then Bayou Long, and Flat Lake, stopping in Morgan City before it continued up the Atchafalaya River and into Bayou Teche. Once it reached Bayou Teche, the boat stopped in Franklin and Jeanerette until it reached its final destination of New Iberia. Here, the crew restocked its cargo and headed back to New Orleans before the week’s end. 

Loading Cargo on the V. J. Kurzweg. Image from Round the Bend to Another 50 Years, 1951.

The cargo crew for this paddle-wheeler was predominantly black. C. S. Boyles, Jr., traveling on the Kurzweg in 1936, noted: “Sixteen Negros are carried as regular cargo crew. .. Extra ‘hands’ are picked up by advance arrangement at each landing, help to do the loading and unloading, and go back to wait another week.” African Americans have operated as riverboat crews since the early 1830s. During the Antebellum period, riverboat owners most commonly used slaves as their crews throughout the south. 

According to Boyles, in addition to the cargo crew, three black women ruled over the boat’s galley. One of the women was named Carrie and she prepared the meals for the crew. For breakfast, an assortment of eggs, fried ham, grits, rice, cereal, syrup, hot biscuits, and drip coffee was served, and for dinner, the crew was provided with smothered chicken, boiled pork, sausage, beans, corn, more rice, French bread, beets, spaghetti with “wop” cheese, ice cream, cake, and thick coffee. 

White Enamel Drip Coffee Pot. Image from Iberville Museum’s Permanent Collection, IM.2001.011.01.

The V. J. Kurzweg was operated during the decline of the paddlewheelers. In 1936, the boat’s captain, Captain Blackman, predicted the Kurzweg may run another two years. He recalled, “[In the early 1900s,] the river traffic [was] so heavy, the woods echoed with the whistles the clock round!” However, by the 1930s, Blackman claimed he was the sole captain of a river packet on a regular schedule with freight and passengers out of New Orleans. The boat was eventually retired in 1943, which some argue was partially due to World War II rationing. It was later dismantled for parts.


Bernard, Shane K. Teche: A History of Louisiana’s Most Famous Bayou. Jackson, MI: University Press of Mississippi, 2016.

Boyles, C. S., Jr. “The Last of the Packets.” Holland’s Magazine, 1936.

Buchanan, Thomas C. Black Life on the MIssissippi: Slaves, Free Blacks, and the Western Steam Boat World. University of North Carolina Press, 2004.

Kurzweg, Frank Turner. “The Story of V. J. Kurzweg.” Frank Turner Kurzweg, ca. 2000.

Signatures of the Past

Small notebooks of loose paper filled with well wishes, poems, and “remember me” signatures were once carried around by the masses. Otherwise known as autograph books, these little notebooks were the precursors of yearbook signings, business cards, and address books. The decorative “note boxes” fluctuated in popularity, being most popular during the Victorian era and 19th century, and dying out again in the mid 20th century.

The notebooks, or memory boxes, were made of cardboard sleeves that allowed for the loose sheets of paper to be bound after the sheets were sent around, hence the nickname of “note boxes.”

The practice of using autograph books dates back to the 15th century in the German and Dutch regions of Europe. Known at the time as Album Amicorum (Book of Friends) and commonly practiced by graduating university students for their peers and instructors to sign their goodbyes and well wishes.

As seen in the autograph books owned by Verna Mae Kirkland and Leana Boudreaux Brady, both women went to Plaquemine High School during the 1940s. During their last months there, they passed their books’ around.

These autograph albums were also popular to tote around while traveling. University professors at conferences would use the notebooks to have acquaintances write their information and current research. Additionally, tourists would ask any new friends or extended family to write small notes or addresses in the album for future contact. This can be seen in the notebooks belonging to “Bert” Nadler, Eliska Carmouche Hardingand, and Marie Pamelia Marchland.

Marie Pamelia Marchland was the granddaughter of Evariste Lauve and Celeste Brunet, who established Celeste Plantation in Bayou Goula. Her album contains well wishes, signed during Christmases at Tally Ho and Celeste Plantations in 1860-1862, as well as lithographs of girls, poems about the war, and newspaper clippings on Southern ladies and womanhood. Therefore, her book had a dual use as a scrapbook and an autograph book.

“Bert” Nadler, of Plaquemine, LA, also had a dual purpose for his book. It acted as a diary, documenting his 1916 trip to Alaska with his mother when he was eleven years old. But, it also includes addresses of people he met along the way.

Eliska Harding was a native of Plaquemine, LA, and a resident of Oakland, CA. Her books were gifted to her by friends. She used them to document trips she took around the United States in the 1930s. However, in her book, Harding appears to be thinking ahead for her album. Most of the pages are labeled “Verse or Toast,” and on the back were fill-ins like “full name,” “address,” “favorite color,” “eye and hair color,” “birthday,” etc. for her new friends.

Eventually, yearbooks, address books, and business cards became the norm, and the autograph books slowly faded out again. But these memory boxes are now signatures of the past that tell of once-close friendships, inside jokes, and travels.

Annual Meeting June 11

Iberville Museum (4).png

Iberville Museum’s Annual Meeting will be held Tuesday, June 11, 2019 at 6:00 P.M. at the museum. This event is free and open to the public.

Our keynote speaker this year is local genealogist and Iberville Museum Board Member, Stella Carline Tanoos.

Tanoos will present her research titled, “Lost Louisiana: The Cattle Drives of Louisiana.” She discusses the earliest known cattle drives in French Colonial Louisiana to the last American cattle drives in the LA during the early 1900s, particularly the details from the diary of Louisiana born cowboy William Duncan Berry.

After the presentation, Cliff LeGrange, author of Spirit of the Atchafalaya and Heritage of the Atchafalaya, will be signing the newest edition of his latest book that includes Tanoos’ research.

For more information please call Meghan Sylvester at 225-687-7197 or email

Iberville Museum Opens “Atchafalaya Basin: A Journey to the Past, A Map to the Future” May 25

Plaquemine, LA (April 12, 2019)—Iberville Museum will open its newest exhibit, “Atchafalaya Basin: A Journey to the Past, A Map to the Future,” on Saturday, May 25.

The exhibit is a groundbreaking approach to the story of the Atchafalaya Basin, America’s largest wetland and swamp, and its relationship with the people who made it their home for nearly 100 years.  It also explores the Army Corps of Engineers’ complex and deep impact on the Basin’s cultural and environmental heritage.

“The history of the Atchafalaya Basin is so vast, this exhibit can only scrape the top of the barrel,” says Stella Tanoos, Iberville Museum Board Member and local genealogist. “But, it will still leave visitors wanting to come back for more.”

On display in the 1,400 square-foot exhibit are historical artifacts, such as photographs, logbooks, tools, boat models, household objects, maps, and a twenty-four-foot-long “putt-putt” bateau. By using artifacts and artwork alongside compelling audio elements, the exhibit bridges the gap between the swamper’s world and present day.

“So many people had a hand in the creation of this permanent exhibition, and most were descendants of those who lived in the swamp,” explains the exhibit’s curator, Meghan Sylvester. “This kind of guided us to actively memorialize those families and preserve the memory of that way of life.”

The exhibit creates an immersive display that is meant to generate the feeling of what it is like out on the water. Touch activated information kiosks featuring videos, timelines, digital maps, and games will allow visitors to explore the Basin’s history further and learn about current environmental conservation projects.

The opening ceremony will take place on Saturday, May 25 at 10:00 A.M., with Louisiana’s Lieutenant Governor, Billy Nungesser, as our special guest. Admission to the museum and the new exhibit will be FREE all day long! A free Jambalaya lunch, sponsored by the Iberville Parish Sheriff Department will be served while supplies last. Members of the Antique Putt-Putt Boat Club will be set up outside the museum as well as a viewing of live baby alligators!

The Iberville Museum is located at 57735 Main Street, Plaquemine. For more information, please call Iberville Museum director, Meghan Sylvester at 225-687-7197.

Seeking a Museum Collections Intern


The Iberville Museum Association seeks to hire 1 Collections Intern for the summer of 2019. The internship will help prepare the candidate for a career in museums and collections management, granting them experience in a small local history museum. The intern will work directly with our director/curator on a collections management project focused on cataloging, organizing, and digitizing our collections. The intern will gain experience in PastPerfect museum software and Digital Curation by researching and organizing collections and enhancing metadata to support a better historical interpretation of the collections.


Collections Intern


$12 per hour


160 hours (8 weeks, 20 hours per week) between June-August.


Exact schedule to be determined. Hours will fall within standard work week: M – F, 8 a.m. to 4 p.m.


The collections management project will include, but is not necessarily limited to Enhancement of collections metadata; Processing, rehousing, and digitizing photographs and paper items; Research (e.g. Iberville Parish, Atchafalaya Basin, Sugarcane, Civil Rights); Curating 4-5 social media posts meant to spark conversation on items in our collection.


Meghan Sylvester, Director/Curator


Candidates should be graduate students, recent graduates, or advanced undergraduates with a major in public history, history, museum studies, or a related field.

Ideal candidate will be working towards a career in museums and has a passion for local history; Will need to work well independently and with others as needed; Strong writing and organization skills; Exceptional attention to details; Should have completed coursework in collections care and management; and Ideally have knowledge or prior experience with standard archival practices, object handling, photography, and preservation. PastPerfect experience is preferred, but not required.

Resume, cover letter, and a list of 2 references due by April 15, 2019. Please send application materials to Meghan Sylvester, Director/Curator, at